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The song coherently alternates between this and more standard metalcore posturing punctuated by Gilbert's cleans, and in the end I can candidly find few faults in the approach. It opens with and revisits a wholly uncharacteristic and undeniably classic-sounding lead interval that was new, risky ground for the band at the time.
AS I LAY DYING PARALLELS LYRICS PLUS
The biggest single plus to these ears came during "Anger and Apathy," which espouses everything of the divergent tonality suggested by the title. That's not to say there aren't effective hails back to times past, as "Parallels" is an exercise in the searing, spindly leads that made tracks like "Morning Waits" standouts on Shadows Are Security. Frankly, it doesn't even sound like the same band anymore at many junctures, and somehow this avoids being the critical failure one would expect it to be. Signs of refreshing adaptation first arrive on "Without Conclusion," during which the band adopts something close to a death/thrash slant, all the while never disposing of the always-memorable melodic element that pinned down their earlier appeal. Specifically, the song structures have moved away from the near-total emphasis on breakdowns, and out of the other end comes some welcome variance that helps The Powerless Rise mitigate some of its shortcomings. Although I still miss Evan White's style here, Sgrosso and Hipa have already proven themselves in the past, and thankfully much of it comes together (albeit not in the expected aspects) on The Powerless Rise, during which we see the band accepting an accretion of outside influence on the way to logical evolution and in the end, a memorable final product.ĭespite opening in a fairly standard way with "Beyond Our Suffering," snippets of "Anodyne Sea" exhibit the proliferation of something greater going on within. Sadly, An Ocean Between Us rehashed many of the same stimuli and structures, coming off as a half-baked exercise in pandering to the expected. With the aforementioned last track being the best song, additional ones that are worthwhile would be The Plague, Anger and Apathy, and Vacancy.Īfter the monumental and genre defining Shadows Are Security, As I Lay Dying was poised to make the naysayers choke on their own harangues.
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Disappointing nevertheless, but has its moments. While this album didn't exactly change anything to a significant level, it was decent enough - but still around the quality of the last two records. It's got a great groove, death growls, awesome drum patterns, and more range. The Blinding of False Light, being the last and longest track on the album, is the winner for the best song. Anger and Apathy balances well between the new heavy introduction to the music and the clean vocals performance, while the music sounds alright.
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Tim did a great job with the death growls. It's got the death growls and blast beats that sound modest and not pretentious, while the song itself is simply groovy. Gradually, The Plague is heavy in the sense that it's not like the first three tracks. It's repetitive compared to other songs.Īs for the songs that didn't disappoint: Parallels doesn't sound any different than the songs with more quality in An Ocean Between Us. And while The Only Constant Is Change sounds decent and in the quality of other tracks on the album that features great melodies and depth, this one wasn't at that range. Upside Down Kingdom is in the caliber from the quality of songs of the likes An Ocean Between Us featured, yet wasn't the best. Condemned is mostly a catchy song with nothing new to offer. The drums, for the most part, are great, though the music is nowhere to back it up. There's still not much of an improvement other than sounding different to some extent. The music is definitely different and the clean vocals sound a bit different from the band's predecessor album. More hardcore orientated behind the kit, Anodyne Sea is surely a groovy metalcore track. While it has some death growls and the music SOMEWHAT sounds technical, it was a bad impression. I guess it's one way to start the album, in another thrashy pavement of Beyond Our Suffering.
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The Powerless Rise is heavier than the last two records, featuring periodic blast beats with overall amazing drums performance that falls behind by the generic heavy music. It seems like with every release the band's quality is declining probably crossing the border with An Ocean Between Us. Kinda ironic how the album suggests the word 'Power', yet it sounds like the band's declining EVEN MORE.